“Sad Eyes,” “Plague,” “Telepath” there’s no shortage of superb tracks to choose from. But there’s something to be said of their “if it ain’t broke” methods, and this latest entry is a testament to their skill. The album is undoubtedly a jump from their first, with a gentle climb after the second. “Telepath” uses this same effect, but with better results it’s a jumpy, strobe light reminiscent, ravey track with no love lost.įor all its efforts to be different, (III) feels like more of what fans have come to expect from Crystal Castles. There’s something interesting in the dizzying effect its pulsing sound creates, but it’s ultimately not a tune that’s pleasing to the ear. “Insulin” fills that niche with headache-inducing static and scratchy, shrieky vocals. It’s electric in its haggard sound.īut like all of Crystal Castles’ past albums, there exists a song or too that falls too far to the left. Complimented with vocals not unlike someone shouting in a bathroom, it just works.
#Kerosene lyrics crystal castles lyrics full
Not to be held down by introspective lyrics, (III) is fantastically full of energy, jumping from gentle shoegaze or rave-worthy, coked-out beats like with no trouble. “I can clean impurity, wash away with kerosene,” sings Glass, later adding “I’ll protect you from all the things I’ve seen.” On tracks like “Kerosene,” where they really surface, Glass’s troubles are more obvious. In a way, that’s part of the appeal Glass’s words slip into the song itself.
Like most of Crystal Castles’ songs, the vocals are difficult to understand. Alice Glass has spoken previously about undergoing many personal difficulties between this album and the last, and it shows in her loaded lyrics. In an effort to create a new sound, the band has traded in instruments used in previous albums, opting for new keyboards and pedals.
The experimental electronica Canadian duo returns with (III), a 12-track album packed with impossibly catchy beats. Each self-titled entry is instead branded with a number-a good choice, considering each feels like a chapter in the same book, rather than a new novel itself. It is a song of frightening beauty, one in which the unfolding tranquility and serenity does not mask the accompanying dread, but anticipates it.Every new album Crystal Castles releases is lacking one thing: a name. Absolutely nothing on the release, however, can compare to closer ‘Child I Will Hurt You’. ‘Transgender’ has a nice holiness to it, or at least it sounds like it was recorded in a blown-out church. Shop affordable wall art to hang in dorms, bedrooms, offices, or anywhere blank walls arent welcome. ‘Kerosene’ manages to be both bouncy and haunting, thanks to Glass’ most decipherable line, “I’ll protect you from all the things I’ve seen.” ‘Affection’ is surprisingly accessible, although that trick was employed better on II tracks like ‘Empathy’. Unique Alice Glass Crystal Castles Posters designed and sold by artists. Still, even a coo from Glass will express some horrible trait of humanity, and her voice - and what is done to it - is mostly fine here, if sometimes predictable. Subduing Glass on III actually tamps down the nihilism somewhat. Although an involuntary blood curdling isn’t to everyone’s tastes, anyone who does fancy a generous helping of shriek need only spin old tracks ‘Alice Practice’, ‘Doe Deer’, or ‘Baptism’ to get their fix. One of Crystal Castles’ greatest assets is Glass’ scream, which is used relatively sparingly on III. ‘Wrath of God’ is the song which comes closest to the scourge we were promised - particularly in the unrelenting wash of noise at the song’s end - but, for every moment like it, there is something fairly run of the mill like the goth rave-up ‘Sad Eyes’. The duo find sure footing sometimes, but not often enough.įor every instance on III set to give the listener an aural acid bath, there are nearly as many that might induce a snooze on the bus, and a dribble on your neighbouring passenger’s shoulder. The run-up to III has promised that Glass and miserablist producer Ethan Kath would deliver the tried and tested formula amped up to 11, but also their setting foot in new territory as well. There are things one has come to expect from a Crystal Castles release: it’s going to be noisy, song titles will carry unpleasant connotations, lyrics - when intelligible - will have little in common with usual dancefloor-aimed electropop, and Alice Glass will scream many of them.
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